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 | The Cinematic Novel and Postmodern Pop Fiction. The Case of Manuel Puig. Décio Torres Cruz Amsterdam/Philadelphia: John Benjamins, 2019
| Book Synopsis
Décio
Torres Cruz approaches connections between literature and cinema partly
through issues of gender and identity, and partly through issues of
reality and representation. In doing so, he looks at the various ways
in which people have thought of the so-called cinematic novel, tracing
the development of that genre concept not only in the French ciné-roman
and film scenarios but also in novels from the United States, England,
France, and Latin America. The main tendency he identifies is the
blending of the cinematic novel with pop literature, through allusions
to Pop Art and other postmodern cultural trends. His prime exhibits are
a number of novels by the Argentinian writer Manuel Puig: Betrayed by
Rita Hayworth; Heartbreak Tango; The Buenos Aires Affair; Kiss of the
Spider Woman; and Pubis angelical. Bringing in suggestive sociocultural
and psychoanalytical considerations, Cruz shows how, in Puig’s hands,
the cinematic novel resulted in a pop collage of different texts,
films, discourses, and narrative devices which fused reality and
imagination into dream and desire.
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